Dada Post presents:

After the Death of Painting

October 15th to November 13th, 2011
Opening: October 15, 2011, 7PM

After the Death of Painting is an exhibition that revisits the controversy from the late 1970s that declared the Western tradition of painting to be dead.

We have brought together artworks that mimic painting, and or compete with painting both formally and conceptually, but are not painting. This would include Large Scale Photographs or Digital works, Multimedia-Assemblage on the wall, Wall-Sculpture, and so on. These are not “oil paint on stretched canvas” works.

For Western painting, the skilled production of representations had been its mission since antiquity, through the Renaissance, and up to the Industrial Revolution. With the camera a new serial mode of image creation was introduced, which changed the way that artists would see and make art forever. Today with these changes, under postmodernity, we observe photography, joined by other practices, as they continue to push painting off the wall.

Painting, of course, did not die. Because also emanating from the late 1970s were several revivals of the Western format for painting. These would include the Junge Wilde movement in Germany, a group of representational painters in the United States led by Mark Tansey, and the Transavantguardia movement in Italy, and well-known today are the Leipzig School of painters. However, the art forms that developed out of the attacks on painting are alive and thriving as well. After the Death of Painting will exhibit some of these practices.
By Howard McCalebb

The artists:
Yasmin Alt l Martina Baist l Chandra Brooks l Sam Icklow l
Christian de Lutz l Lola Goller & Lilli Kuschel l Lisa Larsson l
Damian Loboda l Sara Pfrommer l Johanness Ribarits l Sadie Weis l
Markus Wirthmann l and Matej Zet

Performances by:
Liz Rosenfeld, and Twilight Claps & Thunder

More information at http://www.dadapost.com/

DADA POST
Nordbahnstraße 10
13409 Berlin
Germany

World Peace Festival Berlin
World Peace Festival Berlin
20 August - 27 August 2011

Imagine Conflict - Daniel Sambo-Richter, Christian de Lutz

Freies Museum Berlin, Potsdamer Straße 91, 10785 Berlin










Photos by Filipa Rolaça

Special thanks to Art laboratory Berlin

Shangrila New Moon

ARTISTS

William Adair, Jack Bangerter, Sam Belkowitz, Helen Cahng, Michelle Chong, Kenneth Cowan, Veronica Duarte, Drew Dunlap, Rob Faucette, Roni Feldman, Rashell George, Ian Henderson, Luis G. Hernandez, Daniel Hope, Nate Hess, Bridget Kane, Matt Lifson, Christian de Lutz, Danielle McCullough, Tucker Neel, Chris Oatey, Josh Rickards, Taylor Tschider, Gabie Strong

Shangrila is pleased to present New Moon, an exhibition that explores the notion of rebirth. The group show brings together works that investigate phases in cyclical phenomena and the conditions that surround change, expanding our understandings of the past, present, and future and challenging our perceptions of originality. The exhibition is produced by Drew Dunlap and is co-curated by Michelle Chong.

I've been working on a new collection of images based on screen shots or photographs of computer use, interfaces, web conferences, skype etc.

Here are some new images. The 2nd and 3rd are from the event Everyone is Chinese Tomorrow organized by I-Wei Li and sidebysidestudio as part of the project Kunstapotheke


untitled (web cam) 2009 archival digital print on matte paper, 37 x 50 cm


untitled (web cnference), 2010 archival digital print on matte paper, 35 x 40 cm


web conference study digital photograph


dima and two horses, 2010 digital photograph

I'll be showing my digital projection Sarajevo/Love Virus (2009)nurtart - fängt Licht! curated by Irmgard Berner. The show, which opens 17 September, hightlichts artists who have been presented in the portal nurart.org. I was featured in 2008.

Two smaller new works from the Cuts series:


untitled, 1996/2001/2010, archival digital print on matte paper, dyptich each 25 x 30 cm


untitled, 1996/2010 archival digital print on matte paper, 37 x 60 cm

New works from the Cuts series


untitled (westway) 2009/2010 archival digital print on matte paper 40 x 53 cm


untitled (Torreon) 2004/2010, archival digital print on matte paper 20 x 33 cm


julia, 2010 archival digital print on matte paper 30 x 51 cm

video stills from Junctures I


My residency at the Frankfurter Kunstverein is coming to an end. I have been working on a project, Junctures 1: Frankfurt, which combines video interviews and mapping technology to examine migration, information technology and the 21st century globalized city. Junctures I is the first of a series of projects that I hope to continue in Asia, North America and elsewhere.

More information at http://fkv.de/frontend_en/kalender_detail.php?id=697

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Artists Talk with Christian de Lutz at the Frankfurter Kunstverein
06 April at 7PM

His work combines photography, printmaking, video and installation with computer based media. Recent projects have focused on the connections between globalization and information. During his stay at the Deutsche Börse Residency Program he is researching the perceptions of those for whom Frankfurt has become a point of transit or migration. The core of the project are a series of interviews and 'mappings' exploring Frankfurt's position as a base for international finance and trade, commerce and culture.

More information at http://fkv.de/frontend_en/kalender_detail.php?id=697

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Coming, going, settling down. The city as hub, the city as staging point,
The city began as a marketplace.

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Frankfurt in late Winter, the residency, Pecha Kucha night at fkv

From 1 March - 25 April 2010 Christian de Lutz will take part in the Deutsche Börse Residency Program at the Frankfurter Kunstverein
http://fkv.de/frontend_en/program.php
http://fkv.de

Christian de Lutz, The Copyright Piece, 2009
(see http://cdelutz.blogspot.com/2009/08/copyright-piece-from-artist-statement.html)

Creative Rights. On Appropriation, Copyright and Copyleft

Azin Feizabadi, Gilbert & George, Christian de Lutz, Triple Candie

The Creative Rights Library with documentation on Shepard Fairey vs AP, Richard Prince vs Patrick Cariou, Creative Commons, The Fair Use Projekt, Piratpartiet, etc.

Opening 27 November 2009, 8PM
Duration: 28 November 2009 - 7 February 2010
(closed 18 December 2009 - 3 January 2010)
Open Sat - Sun 2-6PM, exhibition tour 3PM

Workshop: "Copyright and related topics for artists. musicians, filmmakers and other creative producers" with Andreas Lichtenhahn (lawyer), in German.
28 November 2009, 15h (free, registration necessary: info@artlaboratory-berlin.org)

Creative Rights. On Appropriation, Copyright and Copyleft investigates questions concerning the use, re-use and misuse of images and information in the contemporary art world from artistic, legal, political and philosophical viewpoints.

Since the late 1970s appropriation of images and information by such artists as Sherrie Levine and Richard Prince has become a common and accepted technique, part and parcel of postmodernism's critical approach. Indeed it follows a tradition that goes back through pop art and nouveau realisme to Dada and cubist collage. Not without ethical, aesthetic and legal controversy, a number of law cases involving appropriation seems to have increased in recent years involving artists such as Jeff Koons, Richard Prince and Shepard Fairey

The exhibition Creative Rights consists of three parts: The exhibition with four artistic positions, the Creative Rights Library with extensive material on the presented artists and other recent law cases as well as a workshop on the theme of copyright.

(more information)

Christian de Lutz is taking part in Projetaveis
a section of the the 7th Bienal do Mercosul
in Porto Alegre, Brasil
16 October - 29 November 2009


screen shot from http://www.bienalmercosul.art.br/projetaveis/node/30


screen shot from http://www.bienalmercosul.art.br/projetaveis/node/30


screen shot from http://www.bienalmercosul.art.br/projetaveis/node/30

more at
http://www.bienalmercosul.art.br/projetaveis/

The Copyright Piece

From the artist statement:

The 'Copyright Piece' is an audio work made by changing and distorting another audio piece. The 'original' is the subject of a copyright dispute, and was itself procured through questionable circumstances (ie youtube).

The 'purchaser' will sign a contract in which they agree to take over all rights and responsibilities for the piece. There will be no fee for becoming the 'purchaser', only their signature and presentation of identification. After the contract is signed, I will inform the 'purchaser' of the 'original material' used in the production of the 'Copyright Piece'. I will also retain the licensed right to exhibit the artist's copy six times, in consultation with 'the purchaser.' The 'purchaser' will otherwise fully 'own' the piece, all its rights, and attendant responsibilities, legal and otherwise.

The intrinsic value of the 'Copyright Piece' is its mockery of the marketplace. It seeks to replace the medium of money with the medium of risk. The 'purchaser's' role is a performative one, which completes the artwork. If the artwork has an extrinsic value it is to place the art world (already largely based on visual appropriation) in the grey world illicit reproduction that has flourished in our new digital climate.



CD with artist statement and contract
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Source Code images ( more at http://cdelutz.net/html/fine_arts_menu.htm)


untitled (weather#4), 2009, digitally altered photograph, archival inkjet print on canvas, 70 x 100 cm


riga/melissa, 2007, digitally altered photograph, archival inkjet print on canvas, 80 x 90 cm

Seafaring Route (Who is K.Mardam Bey?)
Director Animation, 5:45


The digital animation piece Seafaring Route (Who is K.Mardam Bey?),2009, is an exploration into the nature of cultural communication through the ages.

The animation opens with a satellite view of the Levantine coast, one of the oldest seacoast based cultures on earth. From here the Phoenicians set forth to colonize the Mediterranean, starting a tradition of cultural exchange and diaspora that has lasted over 3000 years.

From a space age view of Tel Aviv the screen travels north over Haifa to Tyre, Sidon and Beirut. Metonymous with the combination of satellite imaging and simulated drawings, made out of altered photographs, the viewer is witness to a dialogue between two anonymous online writers discussing the Palestinian software designer Khaled Mardam Bey and mIRC , the internet chat client he developed.

Seafaring Route (Who is K.Mardam Bey?) makes reference to levels of technology and communication, layering them over a historical background of various media – pen, photography, film and computer based media. It also refers to the Sisyphean task of controlling the technology we develop, especially as to its use and misuse.

Additionally a series of digital prints, taken from images used for the animation are presented.


animation still

animation still

animation still

installation view

installation view

installation view

Artneuland e.V. | Schumannstrasse 18 | 10117 Berlin | Germany
Tel: +49 (0)30 28046650, 28047013 | Fax: +49 (0)30 28092950
berlingallery@artneuland.com | berlinprojects@artneuland.com